We’ve written a lot about “color workflows” and “color management” on our blog. Today we’re connecting the dots to show you how “color workflow management” can mean big savings in a busy pressroom. Without color workflow management, you can end up producing something you think is right, but is completely wrong in the end. Especially in the printing industry, checking color quality at multiple steps along the way is the key to ensuring you’re on the right track...

Posted June 19, 2017 by Ray Cheydleur

As brand owners compete to make packaging stand out, printers are charged with achieving accurate color – on unique substrates – with shorter print runs. Many spend a lot of time mixing ink, then end up throwing it away when the color isn’t right. If you’re stuck in this cycle, you’re essentially paying for ink twice – once when you buy it, and once again to dispose of it. What are the economics behind this waste? What’s the impact on our earth? Today w...

Posted May 22, 2017 by Mike Huda

If you’re a commercial printer who wants to improve color quality and consistency and stay current on industry trends, you need to be aware of Industry 4.0. Industry 4.0 can mean different things to different people, but it generally refers to the fourth industrial revolution, which incorporates trends in automation, data exchange, smart systems, and the Internet of Things. Image courtesy of Christoph Roser at AllAboutLean.com. Today I’ll explain what Industry 4.0 means for commercial printers. ...

Posted January 24, 2017 by Ray Cheydleur

The PANTONE Color of the Year announcement is always exciting. Not only does it set the stage for upcoming trends, it also provides brand owners and designers critical guidance for marketing and product development. However, those who are charged with manufacturing products and packaging with trending colors (like 2017’s choice – 15-0343 Greenery) know it doesn’t “just happen.” It takes time and effort to incorporate new colors. Whether you work in paints, plastics,...

Posted December 09, 2016 by Mike Huda

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