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A calibrated display is not just for photographers. If you browse inspiration photos online, send color samples back and forth via e-mail, or transfer color files between suppliers and customers, you need to calibrate and profile your display to trust the colors you see on-screen.     When talking about monitor calibration, many people interchange “luminance” and “brightness,” but they are not the same.    Luminance Luminance is a measurement of the i...

Posted May 22, 2019 by Kevin Aamodt

When you think of Albert Munsell, do you think of dirt, food and electrical wires? The United States government does. Munsell Color Standards are used for more than just design and Fine Art. They’re also used to ensure safety and reliability, and to maintain compliance with federal regulations. Today we’ll look at some of the government agencies and trade associations that rely on Munsell’s exacting standard color codes. French Fries, Anyone? From tomatoes to pumpkins, Munse...

Posted April 30, 2019 by Art Schmehling

Hitting offset lithographic color targets isn’t always fast or easy. The manual process of measuring color bars and making ink key adjustments takes time and opens the door to operator error. Meanwhile, the press is running (and wasting) paper and ink. To achieve accurate and repeatable color, printers need to convert their printing operation to an efficient manufacturing process and drive efficiencies in all phases of their operation. For many, a closed-loop automated solution is the...

Posted April 03, 2019 by Ray Cheydleur

Your customer rejected your latest shipment due to color.  You checked the color before you sent it and it passed tolerance…  You did everything the same way last time and it passed tolerance…  So why did it get rejected now? We get this question from our customers all the time.  The Dreaded “Error Stack” Color rejections create waste and increase production costs. Unfortunately, there are a lot of variables that contribute to the color you produce,...

Posted March 07, 2019 by Tim Mouw

If you only measure color on opaque substrates and painted parts, the Ci7500 benchtop spectrophotometer might be a good choice for you. The newest member of our Ci7x family, this unit is a mid-range benchtop spectrophotometer that only measures in reflectance mode. Today we’ll explain the difference between transmission and reflectance measurements so you can determine if the new Ci7500 can meet your color measurement needs, or if you need a device that can also measure...

Posted February 26, 2019 by Mike Huda

For the last few Decembers, we’ve provided you with a list of “top color measurement blogs” for that respective year. As we reviewed this year’s list, we noticed that your favorite/ the most-read blogs could be categorized into a few buckets. So, without further ado, here’s 2018’s top blog topics!  2018’s Most Popular Color Measurement Topic: Tolerancing Not to our team’s surprise, Tolerancing – what it is/what it means for your busines...

Posted December 20, 2018 by X-Rite Color

The Gabriel-Chemie Group, a leading masterbatch manufacturer in Europe, has partnered with X-Rite Pantone to provide their customers with an innovative solution to improve daily color requests, expanding their existing product portfolio to include solutions that keep pace with the move towards digitization and industry 4.0. The Challenge As a leader in masterbatch manufacturing, Gabriel-Chemie is always looking for ways to sharpen their customers’ experiences and solve production challenge...

Posted December 13, 2018 by X-Rite Color

Each year, Pantone announces its highly anticipated “Color of the Year”. The selection is intended to serve as a strategic direction for design and color-conscious industries as well as a conversation piece around our culture, where it is going and what we collectively need…and it certainly gets everyone talking about color!  Color is no longer just something we see and appreciate - it enhances and influences the way we experience life. Color, as a strategic element of d...

Posted December 06, 2018 by Tim Mouw

Like geographic coordinates – longitude, latitude, and altitude – L*a*b* color values give us a way to locate and communicate colors. What’s the history of L*a*b*? In the 1940’s, Richard Hunter introduced a tri-stimulus model, Lab, which is scaled to achieve near uniform spacing of perceived color differences. While Hunter’s Lab was adopted as the de facto model for plotting absolute color coordinates and differences between colors, it was never formally accepted as...

Posted October 08, 2018 by Tim Mouw

To understand how color management works, you need a basic knowledge of the additive and subtractive systems of color reproduction. Both use a small number of primary colors that combine to produce a large number – or gamut – of colors… but the way they do that is quite different. In our Color Perception Part 1: The Effect of Light  post, we explained how the visible color spectrum (we know it as the rainbow) encompasses light wavelengths from approximately 380 to 720 nm. By breaking the visible...

Posted August 10, 2018 by Tim Mouw
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