Black Friday. Not only is it the much anticipated start to holiday shopping, it’s also a day manufacturers have been preparing for all year long. Whether mass-producing holiday cards, candy canes, plastic toys, or festive clothing, accurate color is a must. Manufacturers can’t ship two of the same toy if they won’t match on the showroom floor, and holiday sweaters that are a shade off will end up at a discount store instead of a fashion boutique. Perfection is especially import...

Posted November 25, 2020 by X-Rite Color

The color of liquid is one of the most difficult things to control during production. But it’s important. Would you choose a bottle of juice or cleaner that is lighter in color than the other bottles on the shelf? What about cough syrup?     Liquid is hard to measure because it can range in transparency from translucent to opaque. It’s also hard to hold, and the measurement device can’t touch it or the optics and the sample will both be contaminated.   Today&rsq...

Posted October 27, 2020 by Tim Mouw

Sustainability is a top priority for large consumer packaging organizations. To be sustainable means considering the needs of our environment and future generations by looking for ways to reduce waste throughout production. Not only is it socially responsible, but consumers often consider a brand’s sustainability practices when making more conscious purchasing decisions.   Of course, working toward sustainability doesn’t change the importance of establishing brand identity on th...

Posted October 15, 2020 by X-Rite Color

The best way to visualize how color will react in real world lighting conditions is to use a light booth. Traditional light booths contain common illuminants like daylight, incandescent, and fluorescent to replicate how color will look in the retail store and post-purchase in outdoor and home lighting. Today, the increased use of LED lamps in home, commercial, and retail environments is impacting decades of standardized lighting procedures.   How LED is Changing the Game LED lights hav...

Posted October 12, 2020 by X-Rite Color

Like the additive color model, subtractive color mixes wavelengths of light to produce what we perceive as color. However, the subtractive model uses pigments or ink to block – subtract – light rather than adding it.  Combining two pure additive primaries produces a subtractive primary. The subtractive primaries of cyan, magenta, and yellow are the opposing colors to red, green, and blue. Cyan is opposite Red Magenta is opposite Green Yellow is opposi...

Posted September 28, 2020 by X-Rite Color

There are two types of color models – additive and subtractive. Today we will explain additive color mixing, also known as an additive color model.   The human eye mixes the three RGB additive primary colors – red, green, and blue – in various combinations and intensities to simulate the full range of colors in nature. Reflected light that contains a mix of pure red, green, and blue is perceived as white. When no light is present, we perceive black. This is the basis of th...

Posted September 28, 2020 by X-Rite Color

Especially in the print industry, checking color quality at multiple steps along the way is the key to ensuring you’re on the right track. Without color management, you can end up producing something you think is right, but is completely wrong in the end. Managing color in the pressroom closes the gap between expectations, press operators, specifications, and color to ensure good quality.  During design, it means accurately specifying colors for reproduction on the final ...

Posted September 14, 2020 by Ray Cheydleur

Recently we had the opportunity to sit down with Laura Guido-Clark, a consumer products designer of color, material, and texture. She has been dubbed an “Experience Consultant,” which reflects her interest and study of human reactions to the look and feel of new products.   Photo by Laura Flippen. We asked Guido-Clark to speak with us because we also appreciate the importance of color in our lives.   Q. What inspired you to pursue a career in color? A. When I wa...

Posted September 01, 2020 by X-Rite Color

How much time, paper, and ink do you waste re-printing images because the color isn’t right? Before you blame your printer, consider your monitor. When you work on an un-calibrated monitor, you can’t trust the colors you see on-screen, making it hard to make good editing decisions. Luckily, monitor calibration is a breeze with i1Profiler software. Wizard-based, it walks you through every step in the profiling process. Basic and advanced modes allow you to modify your settin...

Posted August 20, 2020 by Mark Gundlach

Softproofing – the ability to simulate how an image will appear in print right from your monitor – can save a lot of time and effort in your printing workflow. Although many photographers already rely on it, anyone who designs, approves, prepares or prints brand and color-critical images can also benefit. With softproofing, designers can create with actual specified colors (no more trial and error!), project owners can approve layouts without physical proofs (predictable color!), and...

Posted August 20, 2020 by Mark Gundlach
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