We’ve written a lot about “color workflows” and “color management” on our blog. Today we’re connecting the dots to show you how “color workflow management” can mean big savings in a busy pressroom. Without color workflow management, you can end up producing something you think is right, but is completely wrong in the end. Especially in the printing industry, checking color quality at multiple steps along the way is the key to ensuring you’re on the right track...

Posted June 19, 2017 by Ray Cheydleur

In a perfect world, you should be able to put ink in the press and simply run a job. Unfortunately, every year flexo and gravure printing operations waste ink, substrate and press time trying to get color right. Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist. In this three-part series, we’re sharing over two dozen reasons your color might be wrong on press. If you missed the first article – Instrumentation – check i...

Posted March 30, 2017 by Scott Harig

In a perfect world, you should be able to put ink in the press, run a job, and achieve color consistency. Unfortunately, every year flexographic and gravure printing operations waste ink, substrate, and press time trying to get color right. Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist. In this three part series we’ll share over two dozen reasons your color might be wrong at press side. Today’s topic looks at issue...

Posted March 19, 2017 by Scott Harig

When judging color, background can be a major distraction for the human eye. In fact, surrounding colors and patterns can actually change the perception of the color you’re trying to focus on. One of the wonderful things about color measurement instruments like colorimeters and spectrophotometers is that they can’t be distracted. They aren’t susceptible to variables such as fatigue, age or color vision deficiency. They aren’t even aware that a surround exists – they only measure the reflected li...

Posted December 01, 2016 by Mike Huda

Reflective surfaces and metallic inks are very popular for printing and packaging applications. Consumers love the look; but for printers, these substrates and inks are expensive and make color control a challenge. Today we’re taking a look at the measurement options available for controlling these very marketable print and packaging applications to help printers and converters meet brand owner expectations and maintain the highest possible quality output.   Sphere vs. 0/45°… what’s the d...

Posted November 08, 2016 by Paula Rosales

It’s no secret that attractive packaging sells, and marketers around the world are stepping up their game to stay ahead of the competition. Metallic inks, three-dimensional labels, flow wrap packaging… Although enticing for consumers, these enhancements make it even harder for printers to maintain color quality. ColorCert®: X-Rite Edition can help by simplifying color communication and ensuring color consistency so that finished products meet specifications. It’s an intuitive, customizable, and ...

Posted September 28, 2015 by Bob Binder

Each year the Printing Industries of America selects the most innovative graphics arts solutions to receive the 2015 InterTech™ Technology Awards. This year, the X-Rite eXactTM spectrophotometer with Scan Option was among the recipients of this prestigious award. Today we’ll take a look at the top features that make the eXact with Scan Option a star with offset litho, flexo, and digital printers. X-Rite eXact is the only device that measures for optical brighteners for both inks and substrate...

Posted July 27, 2015 by Tim Mouw

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