If you recently invested in a spectrophotometer or colorimeter, you know there’s a lot more to learn about color measurement than just how to use your new device. To help you begin exploring the exciting world of color, we’ve compiled seven blogs that explain how to set up your color measurement device, care for it, and use it to its maximum potential. 5 Tips for Setting Up Your Spectrophotometer Using a spectrophotometer (“spectro” for short) to measure color doesn’t mean you’ll automatically ...

Posted July 25, 2017 by Mike Huda

With today’s complex cross-media campaigns, accurate profiling is even more important for managing customer expectations across the color supply chain. Our i1Pro 2 solutions help photographers, videographers, prepress and digital printers create profiles for the best color on monitors, scanners, projectors, printers, and online web-to-print submission tools. But with so many to choose from, how do you know which is the right tool for your color workflow? Whether you’re looking to add a new comp...

Posted April 11, 2017 by Ray Cheydleur

In a perfect world, you should be able to put ink in the press, run a job, and achieve color consistency. Unfortunately, every year flexographic and gravure printing operations waste ink, substrate, and press time trying to get color right. Although advancements in technology have made it easier to achieve color accuracy, the variables that affect color still exist. In this three part series we’ll share over two dozen reasons your color might be wrong at press side. Today’s topic looks at issue...

Posted March 19, 2017 by Scott Harig

You say color is important, but do you know why it’s so important? In reality, color is a critical element in the manufacturing process. Unfortunately, many manufacturers are realizing that getting color right is much harder than it used to be, and the brands they support are asking them to meet tighter tolerances. Here’s why. While advances in color technology – think metallic packaging, pearlescent finishes, custom fabrics and vibrant new colors – entice customers, they also make it much more...

Posted February 07, 2017 by Shoshana Burgett

If you’re a commercial printer who wants to improve color quality and consistency, this blog is for you. Ray Cheydleur is a printing industry veteran of more than 20 years, a standards guru, and our Portfolio Manager for Printing and Imaging Products. Passionate and very knowledgeable about color, he has a talent for helping printers improve their color quality and consistency. Today he’s sharing five critical steps in a color-managed workflow to help you create an efficient printing operation, ...

Posted November 10, 2016 by Paula Rosales

Inter-instrument agreement is a very important consideration when selecting color measurement devices for your workflow. Unfortunately, it’s such a technical topic that it leads to a lot of confusion about what it means and why it’s important. The new Ci7860 is the most precise benchtop on the market with a published average inter-instrument agreement of 0.06 ΔE*ab. Do you know what that means? Today we’re making it as simple as possible. Read on to learn what inter-instrument agreement means, h...

Posted October 17, 2016 by Mike Huda

Softproofing – the ability to simulate how an image will appear in print right from your monitor – can save a lot of time and effort in your printing workflow. Although many photographers already rely on it, anyone who designs, approves, prepares or prints brand and color-critical images can also benefit. Here’s why. A typical color workflow includes a lot of editing, proofing, rework, and approvals. Even then, what comes off the printer is often a disappointment. If you’re working from a monito...

Posted September 26, 2016 by Mark Gundlach

We’ve all done it. Snapped a picture on a digital camera or smart phone, sent it to the computer, made a few adjustments, then sent it off to print…. only to be disappointed. The sky looks green. Grandma’s hair is purple. The contrast is so far off you can’t even see that cute little puppy. Stupid camera. The struggle is real for so many people, from hobbyist to professional photographers, graphic designers, and professional printers. Let’s look into this all-too-common mystery of the off-color ...

Posted May 18, 2016 by Bruce Wright

In a perfect world, you should be able to put ink in the press and run a job.  Unfortunately, there are so many variables that affect color that printing operations often waste thousands of pounds of substrate, and thousands of dollars in press time, making adjustments. Advancements in technology have made it easier to measure color, but the variables still exist. To help you over come them, we’ll be featuring a series that points out many of the reasons your color could go wrong at press side....

Posted February 01, 2016 by Scott Harig

Why calibrate? For the most part, today’s color measurement instruments are 100% digital. In fact, there are very few analog components inside, except for the light bulbs. Although they’re more stable than their analog predecessors, their tolerances are much narrower, and they need regular calibration to stay within these tight specs. Bulb stability As you use your instrument and the bulb turns on and off, it starts to change its character. Calibration compensates for these changes in the bulb...

Posted September 14, 2015 by Mike Huda

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