Compatibilité Windows® 11 Pour plus de détails cliquez ici

Impression à gamut élargi Une variation accrue des produits et les exigences de la fabrication « lean » contraignent les transformateurs à travailler plus rapidement et de façon plus économique. La mise en œuvre de l’impression à gamut élargi, également baptisée impression à palette de couleur fixe, constitue une excellente façon pour les designers et donneurs d’ordre de ré...

Posted October 16, 2021 by Mark Gundlach

ICC color management means having a workflow that is predictable, consistent, and repeatable from capture through proofing to final output. To achieve a color managed workflow, you need to calibrate your devices and create an ICC profile for every component, including the camera, monitor, projector, scanner, and printer.   Why Calibrate and Profile? For the best color results, you need to calibrate each device that is contributing to your workflow to ensure it is accurately reproducing colo...

Posted January 27, 2021 by Ray Cheydleur

To understand how color management works, you need a basic knowledge of the additive and subtractive systems of color reproduction. Both use a small number of primary colors that combine to produce a large number – or gamut – of colors… but the way they do that is quite different. In our Color Perception Part 1: The Effect of Light  post, we explained how the visible color spectrum (we know it as the rainbow) encompasses light wavelengths from approximately 380 to 720 nm....

Posted August 10, 2018 by Tim Mouw

The Pantone Color Institute just announced PANTONE® 18-3838 Ultra Violet as the Pantone Color of the Year 2018! This news is always exciting because it sets the stage for upcoming trends for everything from housewares to fashion to packaging design. In fact, we have already seen shades of Color of the Year used in packaging and graphic design by forward-looking brands in the CPG, luxury, and beauty worlds as well as by personalities and artists seeking to stand out. Part of butt...

Posted December 11, 2017 by Mark Gundlach

It’s been said that everything you need to know you learned in kindergarten. Does this phrase ring true for print and packaging designers? In the spirit of spring, we attempted to use a simple childhood activity—dyeing eggs—to solve some of the most perplexing color issues facing the packaging designer/printer relationship.                 Here are three lessons to learn about color in print and packaging from our annual egg dyeing ...

Posted April 06, 2017 by Shoshana Burgett

In our additive vs. subtractive color models post earlier this week, we talked about color models and CMYK printing. However, anyone responsible for printing Halloween goods or packaging knows that that some colors are just too difficult to reproduce using only CMYK inks. And orange can be one of those colors! A fourth color, black (K, which stands for key) is often added to subtractive color printing applications. Since C+M+Y actually create a muddy brownish color due to ink impurities in C, M ...

Posted October 30, 2015 by Scott Harig

Des questions ? Besoin d’un devis ? Nous contacter(888) 800-9580